A moving look at the mother-daughter relationship, seen through the eyes of three women: Francine, the filmmaker, whose liberating journey leads her to reconcile with her past; Béatrice, her mother, who experienced more structured parenting and whose omnipresence was perceived as suffocating by her daughter; and Claudia, Francine’s almost-daughter, an adopted child who speaks to us about the absence of her birth mother.” (Translated from French description, femfilm.ca)

A beautiful young concert pianist is torn between her attraction to her arrogant but brilliant maestro and her love for a farm boy she left back home.

Glasgow-based artist Phil Collins’s film Soy Mi Madre examines the immigrant populations of Colorado’s Roaring Fork Valley, a sizable percentage of which hail from northwestern Mexico. The region relies heavily on service and maintenance work provided largely through this population, who often commute to work in Aspen. Loosely inspired by Jean Genet’s The Maids—a seminal example of Theatre of the Absurd that renders surreal the intricate power dynamics that exist between people of divergent socioeconomic groups and exploits the volatility of social identity—Soy Mi Madre portrays the social realities of this region through the melodramatic lens of the telenovela. Reproduced in this volume through a generous selection of stills, the film uses popular Mexican television actors and crew, including Patricia Reyes Spindola, Zaide Silvia Guitérrez, Veronica Langer, and Salvador Parra, as well as members of the transsexual prostitute community of Mexico City.

A young woman's mother is found dead in the home they both live in a year after her fathers unsolves suspicious murder. The police think the daughter may be responsible so she and her friends must prove she is innocent.

瓦塔纳扬库尔搭建了一个临时房屋，以凸显空气污染造成的侵害性后果，这个房屋模拟了“沙尘”污染的现实情况。她以居住空间为切入点，对“假定”的安全理念提出了质疑。该建筑空间的结构被比作容纳体，如同人的外皮；而其内部则类似……

An adopted woman on the cusp of childbirth reinserts herself back into the life of her biological mother, unsettling the entire family unit.

A romantic dramedy that tells the story of sensitive man, jilted by his partner. He sits alone in his dark, empty flat in front of his typewriter, waxing nostalgic about his past relationships, and all of his loves and losses – from childhood to date. The film’s soundtrack features some of Israeli pop and rock’s most memorable tunes of the 20th century, including The High Windows’ First Love (‘ahava rishona’), Matti Caspi’s After You’ve Gone (And You) (‘acharei shenasat – ve’otach’), and Gazoz’s She’ll Never Know (‘hi lo teda’).

Originally a BBC documentary, this film by Tony Palmer about the 1960's music scene was later released as a standalone DVD by the BFI

In the course of a single day, young Egle is confronted with her mother's suicide and is consumed by the guilt of having caused her death, all because of not being able to write one letter in the alphabet.

The day before her mother's memorial, Caroline realizes she has lost her mother's ashes. With no time left and fear of causing her sister Josephine further grief, Caroline must decide what to do.